Taipei, Taiwan

40P

Large

Kuan Huan,Liu / Chun Ta,Tsao

開放式廚房是許多理想住家的必要條件。隨著近年來飲食習慣的改變，少油少鹽的料理更符合這種西方的配置，但也許家中長輩仍有傳統烹調方式，所產生的油煙反而是開放式廚房最大缺陷。

由玄關開始的鐵件延伸到廚房，形成拉門結構並藉由兩向的連動拉門達到關閉廚房的作用。在玄關，非透明的玻璃材質做為阻擋視線，拉門及屏風上律動及弧形的分割連貫玄關、餐廳及廚房空間，構成虛線的量體包覆著綠灰色的廚具。而臥房隔間灰泥材質的運用，加上書櫃與門扇的古典細節，形成另一個扎實的量體。兩者不同面向的對比在公共空間增添趣味及層次性。

材質選用的方向以生活感的融入為出發，壁面灰泥的質樸、地坪木板的溫潤及磨石子的復古、再加點新古典的細緻在天花及鐵件的表現，融合出優雅複合的風格。

The open kitchen is a requirement for many ideal homes. With the changes in eating habits in recent years, the low oil and low salt dishes correspond to the western arrangement more. But maybe the seniors in the family still keep the traditional cooking way. The cooking smells become the greatest flaw of the open kitchen. The iron pieces at the entrance extend to the kitchen, forming the structure of the sliding door. Through the both-side gearing sliding door, the effect of closing the kitchen is achieved. At the entrance, the non-transparent glass material functions as the blockage of sight. The rhythmic and arc division of the sliding door and screen connects the space of the entrance, dining room, and kitchen, composing the mass of the dotted line to enclose the green-gray kitchen utensils. The application of the material of stucco for the partition of the bedroom together with the classical details of the bookshelf and door leaf forms another solid mass. The contrast of the two different perspectives adds fun and layering to the public space. The choice of the materials starts from the integration of a sense of life. The simplicity of the stucco wall, the warmth of the wood floor, the retro style of the terrazzo as well as the new-classical delicacy showed on the ceiling and the iron pieces compose the elegant complex style.